The Western Reserve Suzuki School
An Introduction to the Suzuki Approach
The Suzuki 'Method' is a philosophy of studying music originating in Japan by Dr. Shinichi Suzuki. Originally developed for violin study, the Suzuki Approach has since been adapted for use in the study of various instruments as a natural way of learning music. It is often called the “mother-tongue” approach because the children learn music in the same way they learn to speak their native language.
Children learn an entire language at a very young age because it is a part of their environment. The same is true in music. This means that everyone can develop superior sensitivity and a true understanding of music if they are immersed in an environment of high-quality music. Working together as a triangle, the parent, child and teacher can create an environment where every child can develop ability and a beautiful heart.
THE SUZUKI ENVIRONMENT
Children learning to speak, hear and understand much of their language before learning to speak. Children learn to speak because they are consistently being talked to. They are encouraged and expected to speak. When studying an instrument by way of the Suzuki Approach, children must first be totally acquainted with the literature they will be studying, just as they are acquainted with their native language. By listening and watching, children learn very naturally. The teacher only needs to show them how to bring out the “musical language” that they already know. As students advance, they become familiar with high quality music.
A POSITIVE-ONE STEP AT A TIME APPROACH
When children learn to speak, we don’t immediately expect them to speak perfectly. We do, however, expect them to eventually be able to express themselves fluently. In the process, we encourage the child by repeating the words over and over. For example, how many times did you say “mama” to your small child? When “mama” was attempted, like most parents, I’m sure, you responded with “Yes!!”, and then repeated it again and again.
In the Suzuki Approach, we learn one step at a time, or perhaps one finger, one rhythm pattern, one technique. We learn by repetition and positive reinforcement. Dr. Suzuki says, “Don’t push, don’t scold, and don’t forget to praise.” When one step is mastered, we add the next step. In this way, everything is learned completely and thoroughly. Continual work on review pieces allows a child to experience mastery while continuing to build upon an increasing foundation of skills necessary for upcoming repertoire.
READING
In the same way that children learn to speak first, then read, the Suzuki Approach teaches children to play their instrument before they read music. Reading is a necessary, but separate skill and really has nothing to do with a child’s ability to play, just as reading books has nothing to do with one’s ability to speak.
When children are ready to begin reading in school, they are usually ready to begin reading music as well. For older beginners (7, 8 or 9years old) reading can begin almost simultaneously with their study of the Suzuki literature. However, they are learning two separate skills. It takes much practice and time before a person is reading at the same level as their speech and this is also true of music.
By studying music this way, children will already have the ability to play with musical understanding and sensitivity. Only after these skills are developed will they be able to understand the musical score, and see the real music that it represents.
Shinichi Suzuki teaches students in the U.K., 1980. Photograph by Getty Images.
Suzuki (pictured in Tokyo, in 1967) was convinced that children could learn music the way that children learn language—naturally, through ample exposure and repetition. Photograph by Hiroji Kubota / Magnum
THE ROLE OF THE SUZUKI PARENT
The Suzuki Approach is most different from other types of instruction in that the involvement of the parent(s) is essential! The parent is solely responsible for creating the musical environment. This includes many factors.
The Literature: It is the parent’s responsibility to play the CD (or downloaded Suzuki pieces) at a regularly scheduled time every day. This is the only way your child will learn the music. They are expected to be familiar with each new piece before they come to their lesson or class. The teacher can then introduce the mechanics of the piece, previewing any tricky places or new ideas, and expect the child to learn the piece at home. If the proper environment has been created by consistent playing of the reference recordings, a child will be able to play each new piece by ear. This frees the parent to watch for fingering, bowing and technical problems. The teacher is then free to concentrate on musical ideas with the child. We recommend that the child listen to the recordings as background music while doing some other quiet activity, such as eating, reading, quiet play or just before bedtime.
Scheduling: The scheduling of listening and practice time is the responsibility of the parent. You as the parent must make these times a priority on your home- they should not be negotiable. Practice sessions can be fun, and should be limited to the child’s attention span (for preschoolers, sometimes 5-10 minutes), but must be regularly scheduled every day.
Practice: As the Home Teacher, each Suzuki parent is responsible for daily practice. By this we mean, that the parent participates in the lesson, takes notes and establishes the home practice routine. This requires taking comprehensive notes at lessons and reviewing prior to at home practice with your child. The Suzuki teacher will work with each parent in the lesson so that an appropriate home practice routine can be established.